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Theres no mains on/off switch on either the front or rear panels. With fresh, new, royalty-free content added weekly, Arcade inspires users by allowing them to easily trigger loops and play chromatic instruments from a wide variety of unique sources, as well as upload their own samples to modify and get creative. Compared to my Daking, are just a shade tucked back in the mids and maybe only a touch brighter on top. From aperformance point of view, Audient's classic design hasn't been found wanting, but as electronics technology has moved on (especially in the areas of digital conversion, powersupply design, and costeffective manufacturing techniques), Audient decided to rework the ASP008, to see what performance, ergonomic, and functional improvements could sensibly be achieved. Thanks for signing up. As with the ASP008, asecond DB25 socket accepts balanced analogue line-level signals, but instead of these being fed to the preamps, they're routed to the AD converters. Invest in Audient. The Retro channels also offer separate front-panel instrument inputs, which are routed through a high-impedance JFET buffer into the corresponding mic preamp circuitry. Audient's ASP008 eight-channel mic preamp set a benchmark performanceprice ratio, and has remained popular with enthusiastic amateurs and working professionals alike it has been in production for the best part of a decade. These harmonics are all strongly musically supportive intervals that enhance the source, rather than introducing any dissonance, and the effect is to make the source sound fatter, thicker and larger than life. information. The ASP880 is truly consistent with the high standard pedigree of Audient and Dave Deardens collective 20+ years of output. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Sound Magic Neo Piano, 8 Premium Piano Collection. Audient's ASP008 eight-channel mic preamp set abenchmark performanceprice ratio, and has remained popular with enthusiastic amateurs and working professionals alike it has been in production for the best part of a decade. Finally, blue illumination is used to determine A-D input mode, making for an incredibly nuanced yet oh so practical addition to such a well-thought product. There's no mains onoff switch, front or rear, but ayellow poweron LED is provided. Improved panel markings, LED illumination and ergonomics. The ASP800s more expensive sibling the ASP880 is the most obvious alternative, delivering a slightly better technical performance, and with more flexible interconnectivity options and some additional signal processing. The leftmost green curve is with the HPF bypassed, while the others illustrate a variety of HPF settings from the 25 to 250 Hz settings. Audient ASP880 - User review - Gearspace.com The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. This graph shows the total harmonic distortion level produced by the AD converter relative to its digital output level. And that seals the deal as far as I'm concerned: Ican't think of abetterperforming or betterequipped eightchannel preamp at anywhere near the price, which makes the ASP880 a nobrainer for anyone seeking ahighquality professional multichannel mic preamp with digital outputs. Other broadly comparable eight-channel preamps with integrated A-D conversion include the Midas XL48 and RMEs Octamic II, although both are considerably more expensive. With the gain at maximum the same output level required an input of -62dB exactly 10dB lower than for the ASP880 under the same conditions. ASP880 lets you bypass the mic pres and converters in your current interface and achieve the same audio excellence as the top studios. The channel features performed well and demonstrated to be useful, especially the variable high pass filters and their corresponding control knobs. At the Thick end of the range, though, not only is there a great deal more harmonic distortion with some higher components, but theres also a substantial LF peak in the response above a pronounced bass roll-off. Confidently take on full band sessions or those projects that Analogue insert and external AD input options. Gearspace.com LTD - UK Company Number 7597610 (England & Wales). Its designed to be clean, fast and precise giving you pristine audio quality for professional sounding recordings. The lineinput selector has been omitted because that functionality is now provided by the physical input connections. This topology has a generous headroom margin, wide bandwidth and very low distortion, and in terms of tonal character it sits comfortably in the fast and clean camp, faithfully passing on whatever the microphone delivers without imposing any overt character of its own. If these numbers make your eyes glaze over, rest assured that there's plenty of gain on hand for all typical applications! Both are actually slightly more expensive and neither have the versatile balanced-insert functionality of the ASP880. The result is a clean, ready to record signal. A side benefit of this is that, on each channel, Audient have been able to redeploy the half of the dual op amp which previously provided the high-pass filter gain stage as an additional gain stage for the preamp. Check out our privacy policy here Re: Artist mix to Reference Alison Krauss song? Re: Artist mix to Reference Alison Krauss song? You can unsubscribe from these emails at any time. The three o'clock position provides 35dB gain and it's the full 60dB at the clockwise endstop at five o'clock. Signal levels are indicated by a pair of LEDs for each channel, with green showing for signals above 38dBFS, and red at -2dBFS. The A-D converters operating level can be switched between the EBU standard of 0dBFS = +18dBu and a lower +12dBu peak level. The digital output response is determined by the sampling rate, of course: the response is 6dB at half the sample rate. This is arecognised characteristic of this family of converter chips and, although probably inaudible, highlights the benefits of maintaining headroom when recording! I measured the AES17 dynamic range performance for the AD converters using the insert return to AES3 out, and obtained afigure of 116.5dB (Aweighted). Are the Pre-amps in the ASP800 the same as the ASP880? - Audient Help Desk The cylindrical, machinedaluminium control knobs are much easier to roll between finger and thumb than the old flatsided knobs, and the potentiometers behind them are mounted with frontpanel nuts, giving much better support and improving the mechanical feel. My microphones are not producing signal with my ASP880? These stylistic changes are small on their own, but together, they bring about significant ergonomic and operational improvements. Daniel Mills 2 years ago Updated The Pre-amp design in the ASP800 is the same as you would find in all our products, from the iD14 interface to the ASP8024 Flagship Console. Their instrument inputs and the Iron and HMX tone-shaping facilities are an impressive highlight. Web site designed & maintained by PB Associates & SOS. Afrontpanel button cycles around the four available sample rates, with afifth position selecting the external word-clock option. ASP880 is an audio powerhouse designed with expandability in mind, making it the perfect addition to your audio interface. Audient Limited | EVO Limited | Company registration: 3450730, Can You Record An Orchestra With 4 Mics? As with the ASP008, digital outputs are provided simultaneously on ADAT optical ports and aconfigurable DB9 socket, the latter offering AES3 or S/PDIF and controlled by arearpanel button. This could be caused by a browser plugin, disabled javascript, Weve placed a number of audio examples on the SOS web site to demonstrate the effect of the HMX and Iron sonic coloration circuits. ASP880 - Audient Help Desk Instead of arelatively inefficient linear supply with aheavy transformer, the new model features aswitchedmode power supply, which was designed inhouse. Description ASP800 is an audio powerhouse designed to transform your sessions into world class recordings, making it the perfect addition to your audio interface. For tasks like these, you need a unit thats packing both quality and quantity: and youll find your match in the Audient ASP880. This new design introduces asmall but deliberate amount of second- and third-harmonic distortion to deliver alittle subtle musical character. Dave Deardens celebrated mic preamp design has been with us for over 18 years now, and combines a sophisticated, transformerless, discrete eight-transistor class-A front-end driving an op amp gain stage which also provides the differential to single-ended conversion. The Quick Start Guide is useful, but the full manual, available as aPDF on Audient's web site, along with a recall sheet, contains much more interesting and helpful information. I've seen some people who basically have it set up in a rack with no space in between. Internally, the preamp circuitry is exactly the same, highly optimised hybrid circuit that Audient have employed in almost all of their desks and preamps to date. Each of the six basic preamps (channels 3-8) is provided only with illuminated buttons for phantom power and a 15dB pad, plus a rotary gain control. This is an excellent multi-channel preamp/converter at an excellent price, and the new Iron emulator works perfectly with the HMX processor, promising great things for future Audient products. Although there are cheaper options, such as the Behringer ADA8200, the only eightchannel preamps Ican think of that boast broadly comparable quality and integral AD conversion, and are similarly priced, are the Midas XL48 and RME Octamic II. Converter-level compatibility mode to match the iD14 audio interface. In the performance stakes, this figure ranks the ASP800 alongside products like SSLs Alpha MX, Drawmers A2D2 and Millennia Medias AD596 interface module. Even more pertinent still, you need a recording solution thats got good preamps at your disposal. Review: Audient ASP880 - Mixdown Magazine Ever tried to record drums at home? The Retro channels (1-2) also lack the high-pass filter and switchable input impedance of the ASP880, but otherwise enjoy a more comprehensive range of facilities. We find out, Register Audient/EVO Product & Unlock 50,000+ Arcade Audio Samples, Cobra Sound Enjoys Significant Upgrade With ASP8024-HE, Audient Consoles At The Heart Of East London Youth Music Organisation, Audio Engineer Trials New EVO SP8s with iD44 Audio Interface, Want to grow your studio business? These work wonders when using sound sources with a little more going on in the high range for instance, a chorus-drenched Juno or jangly electric guitar. Although the front-panel layout implies that the HMX circuit precedes the Iron processor, the actual signal flow is the reverse Audient tell me they made this decision based on listening tests. Component selection and layout proved critical; MELF resistors were chosen for highcurrent circuit elements to optimise the noise performance, for example, and abetter matchedtransistor pair was also found. Its worth noting that those two JFET preamps are absolutely killer to work with, and deliver a subtle spanky crunch thatll add flavour to any track no need to worry about re-amping these bad boys. Packaged in a 1RU module, Audients ASP880 exhibits a dense functionality, and boasts a high-end performance, all at a price point that may be welcomed by those looking to not break the bank. Audient, Audient keeps Litos Place on Top of Film Work. On the rear panel, youll find a switch to optimise the ASP800 for use alongside the companys iD14 or iD22 audio interface but it will, of course, work as an expander for any ADAT-equipped audio interface. Both are perfectly acceptable, of course, but an interesting observation nonetheless. The high-end response is flat within 0.1dB to well beyond 80kHz at all gain settings for the analogue outputs. With the gain control at minimum and the pad engaged, a line input of +24dBu produced a digital output of -20dBFS, while at maximum gain the preamp could raise a line input of -60dBu to -20dBFS. The blue curve is at 0dB gain, with a 3dB of 5Hz, while the green curve shows a 3dB point of about 18Hz at 60dB of gain. ASP880 Clicks and Pops / Clocking Issues See all 7 articles Specifications This response combination resembles the characteristic head bump associated with high-speed analogue tape machines and brings a noticeable warmth to the sound. Between all the woes of sound proofing and acoustic isolation (lets not even border on that), recording drums at home is made redundant for many of us due to the fact that were only likely to own an interface with a limited array of channel strips. We sincerely hope Arcade becomes an inspirational tool for Audient users in their creative journey.. The phantom power supply is rated to deliver the specified maximum of 10mA to each and every channel. ASP800 provides 8 channels of Audient's renowned console mic preamps, class-leading Burr-Brown converter technology, two JFET D.I's and two Retro channels with revolutionary tone control. At base sample rates both ports provide all eight channels but S/MUX4 formatting is applied automatically when operating at double sample rates, with channels 1-4 transmitted by one port and 5-8 via the other. Although the digital converter is arranged to clip at +18dBu, the maximum analogue output level at the rear-panel DB25 connector is +22dBu (a little lower than the ASP880s +27.5dBu). The published equivalent input noise (EIN) figure for the mic preamp is 127.5dB, which is the same as the original, but my own bench tests indicated slightly better EIN and commonmode rejection performance figures. These are unusually impressive figures! What makes this one different? Analogue line outputs from each preamp are presented on arearpanel DB25 connector, wired to the AES59/Tascam standard. It also operates on any AC mains supply voltages between 90V and 264V, with amaximum power consumption of 40W. This last point is critical because a radiating magnetic field from the transformer can induce hum into nearby circuitry. You can unsubscribe from these emails at any time. The familiar styling and layout of the original are retained, but the ASP880 sports new control knobs, more easily distinguished and legible panel labelling, and anew colour scheme on the illuminated buttons. The A-D converter's operating level can be switched between the EBU standard of 0dBFS = +18dBu and a lower +12dBu peak level. The only difference between the ASP880 and the previous generation's implementation is that surfacemount components are used, allowing an improved circuit layout with shorter signal paths and better technical specifications. The AD converters are BurrBrown PCM4220 multibit deltasigma devices, replacing the Wolfson chips of the ASP008 (the same BurrBrown converter is used in the iD22). In many designs (not this one!) Two plots showing the level of mains harmonic components present at the digital outputs. Upgrade your current setup with 8 channels of Audients Console mic preamps, 8 line inputs/outputs, 8 insert points, class leading converters and two JFET D.Is all in a compact 1RU package. Remove unwanted low frequencies, prevent proximity effect and tighten up your low end with a range of 25Hz to 250Hz. Bundled with a free suite of creative software including Cubase LE, alongside industry leading plugins and virtual instruments, you can start recording as soon as you open the box. The Line input function has been replaced with an external AD input mode, and that lights blue. Register Audient/EVO Product & Unlock 50,000+ Arcade Audio Samples. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Sonically, this sounds like every other Audient preamp I've used: clean, quiet, accurate, transparent and with masses of headroom. The output formatting is all taken care of by an XMOS microcontroller on the new digital board, which again affords better performance and flexibility than the previous incarnation. 8 Channel Mic Preamp with ADC ASP880 is an audio powerhouse designed with expandability in mind, making it the perfect addition to your audio interface. Audient ASP880 - Sound On Sound In this way, its possible to mimic some of the so-called stacking effect of recording and mixing through an analogue console. Id like to see Audient putting the HMX and Iron circuitry in a high-quality mastering processor they are that useful and effective! This clever circuit block uses two more high-voltage MOSFET gain stages as the driver and receiver around a miniature 600:600 Ohm transformer. Use the button below to let us know you are a real customer, and we'll send you on your way This brings many advantages, the most obvious being that a cooling fan is no longer required: the ASP880 is acoustically total silent! Moreover, the raised noise floor is smooth and benign, and its not dissimilar to that of a very good analogue tape machine or vintage valve preamplifier just think of it as warm analogue dither! Arcade by Output is the latest addition to ARC - Audient's Software Bundle. All sessions created with Arcade will work forever, even if the subscription is cancelled. Between its pristine sound, intuitive set of features and pragmatic design, it is a notable contender to some of the pricier, similarly packaged alternatives on the market, while also supplying its users with a greater functionality and pliability. At the maximum setting the transformer saturates beautifully and the distortion levels build, mostly in the odd harmonics, introducing a distinctive rich growly quality, just as the controls labelling suggests! Universal internal power supply means no noisy fans are required. Please try again. Acrosscoupled symmetrical balanced line driver, employed here, is capable of amassive +27dBu output level. External AD converter inputs are restricted to +18dBu max. For the mic input, Imeasured values of 220, 2.8k and 1.3k. You may login with either your assigned username or your e-mail address. The instrument input buffer is another new feature, by the way. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Sound Magic Neo Piano, 8 Premium Piano Collection. Building on the strength of the ASP880, this new model maintains the quality expected of an Audient product but scales back the feature set to reduce the cost in a well-balanced way. This configuration provides 10dB more maximum gain and allows greater linearity in the gain control, but with the minor penalty of 0.5dB of extra input noise, which seems a very reasonable compromise. The line (return) inputs do not appear at the analogue outputs, and do not benefit from any of the preamp signalconditioning tools such as polarity switching, filtering and gain control. Audient have updated their popular eight-channel preamp design to provide more features at a lower price. As in the ASP008, channels 12 feature frontpanel unbalanced and highimpedance (1M) instrument inputs, which are activated automatically by inserting aplug in the front-panel socket. As well as the usual complement of analogue I/O, the ASP880 features a pair of eightchannel Dsubs, providing a balanced insert loop, postpreamp and preconverter. Channel level metering on the ASP880 uses the same, simple twoLED 'signal present' and 'peak' trafficlight system found on the ASP008, although these register the signal level at the AD converter, rather than the preamp output. The previous model's 16 and 20bit modes have been omitted, since short-wordlength recorders such as DAT and CDR are no longer commonplace. Engineered to survive everyday use, iD14 delivers professional quality audio in a small, beautifully engineered and all-metal package. These, once again, are small but worthwhile improvements. Audient's ASP880 unit is a solid state eight channel microphone preamp and analogue to digital converter, which gives potential buyers a cost effective option for expanding/ bypassing their pre-exisiting interface' s number of inputs, especially desirable if recording input demanding drum or full band set ups, while being easy to operate, and ul. The THD+noise figure was below 0.001 percent, comprising predominantly odd harmonics. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. For those who like to have both mic and line sources connected simultaneously, selectable at the press of abutton, that functionality can be replicated in part, but only for the digital outputs. An expanded frequency response plot which illustrates how the lowend extension changes with gain. Two Retro channels offer instrument inputs, and Iron and HMX coloration. The previous model wasvery competent and versatile, and delivered ahigh standard of reliable performance. The HMX rotary control increases the drive across all three gain stages, simultaneously attenuating the final output level to maintain approximately unity gain overall. In addition to the push-buttons that activate phantom power and the 15dB pad, others provide polarity inversion and activate the HMX and Iron coloration circuits (of which more later).

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